Fujifilm xf 18 55mm lens review

After 2 years of use throughout 8 countries across Asia & Africa, the Fujifilm XF 18-55mm f/2.8-4 has earned its rightful title as “Fuji’s Best Kit Lens.” Disclosure: this review is based on our real-world experiences with the lens, so it’ll be focused on in-field results, not technical charts.

Construction: 14 Elements in 10 Groups

Aperture Type: Rounded 7-Blade Diaphragm

Aperture Range: f/2.8 – f/22

Focus Range: ~30cm – Infinity

Focus Motor: Linear

Max Magnification: 0.15x

Dimensions: 64.5mm x 40.6mm

Weight: 308 g

Weather Resistance: No

OIS: 3.5 stops

Filter Size: 58mm

Manufacturing Country: The Philippines

Length of Test: ~2.5 years.

Acquisition: we purchased the Fujifilm XF 18-55mm f/2.8-4 with our own cash.

Camera Used: Fujifilm Xt-20

Image Processer: Capture One

Image Compression: Multi-level, so images are only a fraction of max resolution.

Countries: Bhutan, Ethiopia, India, Laos, Myanmar, Nepal, Oman, and Thailand.

Weather: Hot and Humid (highest temp 40 C), Cold and Dry (lowest temp -6 C).

The Fuji 18-55 is ideal for:

• Run and Gun Photography

The Fuji 18-55 is not ideal for:

• Commercial-grade Pro Use

Table of Contents

Durablity

Fuji Build Quality

Construction: with an all-metal build, the Fujifilm XF 18-55mm f/2.8-4 is much tougher than it looks. Our lens has survived a wide range backpacking trips, the dust-laden winds of Arabian deserts, and the oppressive humidity of tropical rainforests – only with a few minor cosmetic scratches to show for the abuse. Even the plastic lens hood has held up well over time.

As for ergonomics, the lens has a wide hefty zoom ring in the center of the barrel (which suffers from minimal lens creep at times), a textured focus ring in the front, and a clicked aperture ring on the back. At 310g, the lightweight nature of the XF 18-55mm feels well-balanced on Fuji’s tiny XT bodies and is supported by a much-welcomed 3.5 stop OIS (which can be switched on/off).

Functionality

In-Field Versatility

Fuji 18-55 for Landscape / Architecture: without question, this lens offers decent performance for travel photographers that don’t want to bother with swapping lenses or can’t do so to due to inclement weather – just keep in mind, that convenience always comes with trade-offs.

While the Fujifilm XF 18-55mm features an incredibly versatile zoom range, it’s not the best option for photographers that need near-perfect reproductive photography of both natural and human-built environments. With that being said, barrel distortion along with vignetting, fringing, and the like were usually well-corrected in Capture One as well as Fuji’s in-camera settings.

As long as you know this lens’ limitations and work around them, the Fujifilm XF 18-55mm is perfectly capable of dynamically capturing any outdoor adventure.

Fuji 18-55 for Portraits: compared to Fuji’s portrait lens lineup, this lens has decent bokeh but lacks the buttery-smooth focus fall-off and the creaminess of the exceptional XF 56mm f/1.2 and XF 35mm f/1.4 primes – which is to be expected. In high contrast scenarios or when shooting in a place with a high amount of foliage, the bokeh tends to look nervous and features onion rings.

In general, the bokeh is good enough as this kit lens wasn’t designed to be a fast portrait lens (horses for courses). Given this, the Fujifilm XF 18-55mm is better suited for environmental portraits and is still capable of producing some decent shots within reasonable expectations.

Fuji 18-55 for Street Photography: while a compact prime would be our first choice for street work, this lens incorporates a very useful range of focal lengths into a reasonably-sized package. It won’t offer you ninja-like stealth but it’ll offer you a fair amount of flexibility during walkabouts in new territories and/or fast-moving environments. This can be extremely useful for travel, as you may not be able to predict the ideal focal length for the shooting conditions at hand.

Performance

Lens' Practical Utility

Auto / Manual Focus: the autofocus speed is pretty fast and silent and works well in AF-S as well as through back-button focusing. For AF-C, accurate focusing is a bit more hit and miss and not that reliable on the XT-20 (although Fuji’s newest 2022 camera bodies might solve this issue). In tough situations like nighttime street photography or fast-paced events, both AF-S and AF-C tend to struggle – expect a decent amount of missed-focus shots.

In regards to manual focusing, the “focus-by-wire” throw is long and requires a lot of turning to move significant distances – it’s best to couple long throws with Fuji’s underappreciated back-button focusing (it saves a lot of time and hassle). When it comes to small incremental changes, manual focusing is a charm thanks to Fuji’s highly-visible focus peaking.

Sharpness: as expected from a zoom lens, sharpness suffers a bit in the corners across the range when shooting wide open. When stopping down to f/5.6-8, the lens is sharp across the frame and lacks any smudginess near the corners. Generally speaking, the XF 18-55mm is more than sharp enough for most applications but not as sharp as Fuji’s red badge XF 16-55mm.

The sample image below was shot on a hazy / overcast day in Nepal at f/7.1 – when zooming into the RAW file at 100%, the buildings to the far left were still able to retain a high amount of detail.

RAW / JPEG Quality: to be completely honest, we didn’t shoot much with the Fujifilm XF 18-55mm within a SOOC JPEG format given that we primarily shot in harsh light and far from ideal conditions. Long story short, we were never happy with the results on average – admittedly, this could be largely attributed to user error.

In terms of the RAW files, they offer a fair amount of dynamic range but don’t have as much latitude and color tonality as the RAWs produced by Fuji’s prime lenses. To be fair, given the price and general-purpose nature of this lens, comparing it to Fuji’s primes seems nonsensical.

JPEG Example: the image below was shot using the Velvia simulation in rural Nepal. Changes to WB, exposure, highlight, and shadow levels were made in Capture One.

Value

Primary Alternatives

Since the Fujifilm XF 18-55mm f/2.8-4 lens was released in 2012, Fujifilm has released a slew of mid-range zoom lenses that give the XF 18-55mm a run for the money. At the time of writing, the lens’ primary competitor is Fuji’s newer XF 16-80mm f/4 which offers similar optics, weather resistance, and more reach at the expense of weight and a slower fixed aperture.

For professional use, we recommend considering Fujifilm’s red badge XF 16-55 f/2.8 – this lens has superior optics and will offer better overall performance.

Did you know that… when you purchase something through one of our links, we earn a small fee. However, you still pay the exact same amount. It’s a win-win that keeps our lights on.

8.4/10 Rating

Our Overall Verdict

To sum up our thoughts on the Fujifilm XF 18-55 f/2.8-4, it’s a solid lens for hobbyists or beginner photographers that value versatility and weight minimization over top-of-the-line image quality. While this lens can definitely be used for professional work (in the right hands), it just doesn’t have the same “je ne se sais quoi” of Fuji’s prime lenses or the clinical IQ of the heavier and more expensive Fujifilm XF 16-55mm f/2.8.

In our humble opinion, choosing the Fujifilm XF 18-55mm f/2.8-4 over Fuji’s other zooms is merely a matter of tradeoffs that are dependent on intended use-cases. For use-cases such as travel and general documentary work, this lens offers decent-enough optics relative to its compact form, featherweight status (for a zoom), and price/versatility ratio. Especially if you’re able to get the lens at a discount from being certified refurbished.

More Fuji 18-55 Sample Images are featured below:

What we liked about the Fujifilm XF 18-55mm f/2.8-4.

The Fujifilm XF 18-55mm lens left a positive impression with its notable qualities. One aspect that stood out was its exceptional build quality, which exceeded our expectations for a kit lens. The lens exhibited a robust construction that instilled confidence in its durability, making it suitable for regular use and various shooting conditions.

Moreover, the XF 18-55mm lens delivered above-average image quality, surpassing the typical performance of a standard kit lens. It captured images with impressive clarity, sharpness, and color reproduction, allowing photographers to achieve satisfying results. The lens’s optical capabilities exceeded what is typically associated with a kit lens, making it a valuable tool for photographers seeking high-quality images.

Additionally, the XF 18-55mm lens proved to be surprisingly durable, punching above its weight class in terms of overall construction. It showcased resilience and longevity, which is particularly advantageous for photographers who require a reliable lens that can withstand regular use and potential rigors of photography.

In summary, the Fujifilm XF 18-55mm lens impressed us with its exceptional build quality for a kit lens and its ability to deliver above-average image quality. Its durability was a pleasant surprise, as it outperformed expectations for a lens of its class.

What we disliked about the Fujifilm XF 18-55mm f/2.8-4.

While the Fujifilm XF 18-55mm lens offered several positive aspects, there were a couple of areas where we felt improvements could enhance its performance further. One such area is the bokeh transition zones, where we found that a cleaner falloff would contribute to a more pronounced 3D effect and subject separation. Enhancing the bokeh quality would add a sense of depth and make the subjects stand out with greater visual impact.

Another aspect that could be addressed is the lens creep that occurs during long-distance walks. Optimizing the tension in the lens mechanism would help minimize or eliminate this issue. By reducing lens creep, photographers can maintain their desired focal length without the lens extending or retracting unintentionally. This improvement would enhance the overall shooting experience, particularly for those who frequently shoot while on the move or in dynamic environments.

Is the Fujifilm XF 18-55mm f/2.8-4 worth it?

The Fujifilm XF 18-55mm lens offers a compelling value proposition based on first-hand experience. Its versatile focal range, combined with solid performance, makes it an appealing option for photographers seeking a versatile, all-purpose lens.

One notable aspect of the XF 18-55mm lens is its focal range, covering a wide-angle to short telephoto range. This versatility allows photographers to capture a variety of subjects, from landscapes and architecture to portraits and everyday scenes. It eliminates the need to carry multiple lenses, making it a convenient choice for travel or situations where changing lenses might not be feasible.

In terms of image quality, the XF 18-55mm lens generally delivers satisfactory results. It produces sharp images with good detail and pleasing colors. While it may not offer the same level of optical performance as higher-end prime or professional zoom lenses, it still performs admirably for its price point.

Is the Fujifilm XF 18-55mm f/2.8-4 the best kit lens?

The Fujifilm XF 18-55mm lens is widely regarded as one of the best kit lenses available in the market. However, it’s important to note that the concept of “best” can be subjective and depends on individual preferences, shooting requirements, and budget constraints.

The XF 18-55mm lens stands out among kit lenses due to its superior build quality, versatile focal range, and commendable image quality. It offers a convenient focal length range from wide-angle to short telephoto, making it suitable for a wide variety of photography genres. Its solid construction and metal lens mount provide a more robust feel compared to some other kit lenses.

In terms of image quality, the XF 18-55mm lens delivers sharpness, good detail, and pleasing colors, often surpassing the performance of other standard kit lenses. The inclusion of optical image stabilization further enhances its usability, particularly in low-light situations.

That said, it’s worth considering that other camera manufacturers also produce excellent kit lenses that may be well-regarded within their respective systems. Depending on your specific camera brand and model, there may be comparable kit lenses available that offer similar performance and value.

Ultimately, determining the “best” kit lens will depend on your individual needs and priorities. It’s advisable to research and compare different kit lenses available for your camera system, considering factors such as optical performance, build quality, focal range, and overall value for money. Additionally, personal preferences and shooting style should be taken into account to make an informed decision that aligns with your specific requirements.

Longevity

Usage Timeline

Initial Usage

As expected from Fujifilm, the XF 18-55mm is meticulously constructed and is smooth to operate.

2 Years of Usage

The XF 18-55mm is still going strong but it has seen better days. After being beat up throughout extensive travel, only minor cosmetic damage exists – optics are unchanged.

Is a Fuji 18 55 a good lens?

The Fuji XF 18-55mm f/2.8-4 ASPH is optically just about perfect, excelling at sharpness, falloff and distortion, as well as bokeh. This 18-55mm is also feels better then almost anything from Nikon or Canon, with its almost all-metal construction.

What is the Fujifilm XF 18

FUJIFILM XF 18-55mm f/2.8-4 R LM OIS.

What is a 18

The best thing about the 18-55mm lens is its versatility. At 18mm, it is fairly wide-angled and is great for landscapes. In the middle of its range, around 35mm, it is perfect for street, travel, and documentary photography, while the short telephoto zoom of 55mm works wonders for portraits.

Is the Fujifilm XF 18

FUJIFILM XF 18-55mm f/2.8-4 R LM OIS Lens, Rounded 7-Blade Diaphragm, Three Aspherical Elements, X-Mount Lens/APS-C Format, Linear Autofocus Motor (Renewed)